International Journal of Scientific & Technology Research

Home About Us Scope Editorial Board Blog/Latest News Contact Us
10th percentile
Powered by  Scopus
Scopus coverage:
Nov 2018 to May 2020


IJSTR >> Volume 9 - Issue 3, March 2020 Edition

International Journal of Scientific & Technology Research  
International Journal of Scientific & Technology Research

Website: http://www.ijstr.org

ISSN 2277-8616

Cultivation, Education And Arts In The Meaning Of The Pontanu Dance Movement In The Disruptive Era

[Full Text]



Andi Imrah Dewi, Tjetjep Rohendi Rohedi, Dharsono, Hartono



Cultivation, Education, Linking Meaning of Pontanu Dance



The purpose of this research is social media on the concept of cultural linkages, education and art in interpreting the movement of Pontanu Dance, as a form of social interaction of the Tribe Kaili. The purpose of this study is first to Analyze the Meaning of Pontanu Dance in Era 4.0 Second to Analyze the meaning of the Pontanu Dance symbol its relation to cultural links related to the cultural value of the ancestors of theTribe Kaili Central Sulawesi. The method used is descriptive qualitative research with ethno chorology approach, to analyze problems based on facts and data in the field. The methods for collecting data, observing, interviewing and documenting. The results of this study lead to findings related to cultural linkages related to the educational values and character of Pontanu dance consisting of nine movements, Pontanu dance in one of the core movements of the Pontanu dance variety is motion nagalerongis a core movement that is carried out in a circular manner while twisting a thread whose symbolic meaning symbolizes the wheel of life, relating to the symbol of the contents of the universe, noble Values which are the manifestations of human personality and behavior that are patient, diligent, Responsible, disciplined, mutual mutual cooperation and consistent. The existence is in close touch with understanding the character value of 2019 Semarang State University.



[1]. Cron bach., LeeJ. (1997), Education Psyhology (3rd edition). New York: Harcourt Brece Jovanovich
[2]. Hadi, SY. (2005). Dance Sociology An Early Introduction. Y'ogyakarta: Reader Publisher.
[3]. Hartono. (2016). Tari klana raja gaya Yogyakarta, Effector, (28), 35-41.
[4]. In Drayuda, I. (2015). Continuity of Tradition dance: Acedemicians' Intervention on Artists and Performing Arts Groups. Harmonia: Journal of Arts Research and Education, 15 (2), 138-143.
[5]. Jones, AC. (2017). ‚ÄĚTransmission: From Archive to Production Re-imagining Laban-Contemporizing the past, Envisioning the Future. In Transmissions in Dance"(pp. 11-35). Palgrave Macmillan, Cham.
[6]. Juraid, Hamzah, B. Mahpudz, A. Khaldun, RI. (2019). Implementation and development of Adiwiyata schools to realize character of students care for environment. Journal of scientific and technology research, Volume 8 issue 10
[7]. Kuntowijoyo, (2006). Culture and Society. Yogyakarta: Tiara Wacana Yogya.
[8]. Langer, K. Susanne Terj. Fx Widaryanto. (2006). Problematic Art Performance. Bandung: Sunan Ambu Press.
[9]. Pujiyanti, N. (2013). The existence of Mask Dance Mask as a Compliance with the Needs of Aesthetics of the Community Pandesari Parakan Stage. Journal of Regional and City Planning, 22 (1), 49-64.
[10]. Rubinelli, S. & Cantoni, L. (2006). Dance as a Communicative Art. Science Direct , (1988), 21-22
[11]. Sulasman, & Setia Gumilar, S, (2013). Cultural Theories from Theory to Application. Bandung:Loyal Reader CV
[12]. Sumandiyo, H. (2006). Art in religious rites. Yogyakarta: Library.
[13]. Ulinsa (2015). Representation of Aesthetic Values in Kaili Song Lyrics.
[14]. Vivin, SA. (2016). "Zapin Bengkalis Dance: Form, Characteristics, and Development".Doctoral Dissertation at the Indonesian Institute of Arts Surakarta.
[15]. Wina hyuningsih, HM & Maulana, N. U. (2013). Tatag De Penyawo: Contemplation of Tribal Identity. Dance Department, Performing Arts Faculty, Yogyakarta Indonesian Art Institute.
[16]. Zubaedi. (2011). Design of Character Education. Jakarta: Kenana Prenada Media Group.